Keeping the Good Faith: YouTube, Fair Use, and the DMCA
Alexandra M. Even YouTube is an important platform for user-generated content and serves as a positive space for creativity on the internet. Nevertheless, there are some glaring problems with the way YouTube handles copyright infringement. Congress enacted the Digital Millennium Copyright Act (DMCA) before the internet had taken shape into the vast and complex body we know today. Copyright holders are given far more leniency than the creators accused of infringement, largely due to a subjective good faith standard imposed by the courts. This article proposes the good faith standard in § 512(c) of the DMCA be amended to incorporate...
The Secret Life of Platform Intellectual Property Adjudication
Shih-wei Chao An emerging trend in intellectual property law is e-commerce platforms adjudicating infringement disputes. When platforms receive right holder complaints and decide whether to remove product listings, suspend the seller, or destroy the infringing inventory—intentional or not—they are acting as “courts,” applying unique “laws” and granting platform-style “remedies.” To provide a peek into this nascent realm of intellectual property alternative dispute resolution, this article first compiles what is known about platforms’ adjudication mechanisms, from complaint to decision, from enforcement to “appeals,” covering both platforms’ basic complaint systems and Amazon’s UPNEP/APEX program. Normatively, however, there are concerns that platforms are...
Choreographic Works in the Age of Social Media: The Issues and Implications of Copyrighting TikTok Dances
Patricia Garza Gonzalez Keara Wilson, the creator of the “Savage” dance on TikTok successfully registered her dance as a choreographic work with the U.S. Copyright Office, making it the first viral TikTok dance protected under the Copyright Act of 1976. She is one of numerous TikTok dance creators seeking copyright protection for their works as the social media platform has bolstered dance dissemination through dance challenges that encourage users to reproduce and post their versions of short routines. Nevertheless, under the current guidelines for choreographic work copyright, TikTok dances are not entitled to copyright protections because of their categorization as...
Digital Art Says: Protect Our “Groove” Too
Annie Kim Digital technology has become one of the most common methods artists use to create art. This advancement in technology causes many copyright difficulties, especially related to artists’ styles. Standardized and common features of digital software have made it far too easy for people to duplicate other people’s work, and more significantly, an artist’s unique style. Current copyright laws are insufficient to address these issues, and there is almost no legal precedent related to protecting an artist’s “art style.” In a groundbreaking case, Williams v. Gaye, the court implemented a two-part test to imply protection for musical styles, the...
From Canvas to Designer Cloth: The Exploitative Nature of the Fair Use Doctrine in the Arts
Victoria Schmidt This Essay examines the controversial launch of the 2020 COACH® x Basquiat Collection featuring the signature image of Jean- Michel Basquiat on Coach purses and clothing. These signature images were part of a larger work of art by Basquiat that aimed to critique racial segregation, police brutality, and the capitalistic pull of American society. Basquiat supporters critique the collaboration as a misappropriation of the artist’s message. Under this assumption, this Essay evaluates the scope of the fair use doctrine through a hypothetical copyright infringement claim against Coach. This Essay examines the provisions of current copyright laws and advocates...
Videogame Broadcasting: Exploring a Growing Industry’s Struggle with Copyright Claims
Zachary Greenberg In the videogame industry, tournament play is crucial for game publishers in creating a loyal fan base. Tournament play has spurred the development of third-party markets including streaming, commentary, and “modding”—creating complementary software for existing games. This essay will examine the intertwined industries of videogames and streaming tournaments, and their turbulent relationship with copyright law through a case study of Super Smash Bros. Melee. In addition to exploring Nintendo’s valid claims for protection under copyright law, this essay will analyze possible solutions to streaming copyright violations utilizing the fair use defense, including wider industry changes like implementing mechanical...
Tarantino v. Miramax: The Rise of NFTs and Their Copyright Implications
Emily Dieli Non-fungible tokens (NFTs) are digital assets that are part of a relatively new industry involving blockchains and cryptocurrencies. As NFTs grow in popularity, questions have arisen over NFT copyright ownership. A federal court will have the opportunity to rule on this issue for the first time in a pending case between Miramax and Quentin Tarantino. The film production company and the well-known director are in dispute over intellectual property ownership of screenplay scenes that Tarantino sold as NFTs. The outcome of the case and future laws will have a direct impact on the way NFTs are purchased and...
The Unresolved Mystery: Contested Scope of Copyright Protection of Sherlock Holmes
Jan Di Lee Sherlock Holmes, written by Sir Arthur Conan Doyle, is one of the most popular and loved series of all time. The Sherlock Holmes series has inspired numerous films and books that continue to be produced today. Sherlock Holmes has become more than a fictional character, but an icon and a subject of study and controversy. With numerous films and literature being produced with the elements from Sherlock Holmes, issues of copyright infringement frequently arise. This essay looks at copyright lawsuits surrounding Sherlock Holmes and discusses the contested scope of the public domain. This essay argues that human...
Take the © Train: Why a Musician’s Creative Process Should Be Considered in Music Copyright Litigation
Patricia Rezac Music copyright litigation remains fixated on evaluating basic compositional elements such as pitch, rhythm, and lyrics. Yet, as seen in Tempo Music, Inc. v. Famous Music Corp., courts may often benefit from closely examining a musician’s creative process. By focusing on a musician’s creative process in addition to traditional standards for originality, courts could more effectively determine whether or not a musician has violated a copyright protection. This method would reduce technical complications arising from music copyright claims, create appropriate standards across genres, and introduce a potential solution for copyright issues in the age of digital music. Read Full...
Google v. Oracle: Weighing Fair Use Factors in Software Copyright Infringement Cases
Guodong Fu The ongoing battle for clarity on the limitation of United States copyright protection in the software industry has yielded inconsistent results over the past ten years. Google LLC v. Oracle America, Inc., currently before the Supreme Court, may finally shed some light on the status of copyright protection as applied to software. In deciding the case, the Court must balance the four fair use factors as applied to software copyrights. The Court will likely navigate a fine line to balance maintaining a market of interoperability with fair competition. This Essay argues that the Supreme Court should maintain a...