Week 11 Journal Prompt – Alicia

The individual choreography of the various characters’ “fits” suggest that—like puberty—this experience is unique for each female. If you were to portray your own coming-of-age in a short segment (like Toni’s “fits” dance sequence), how would you do it? Which element(s) of your development would you focus on? After reflecting and deciding what to emphasize,…

Who a Successful Black Woman is, According to Donald Glover’s Atlanta and Beyonce

Beyonce’s “Diva” music video opens with a black screen and simple typewriter-style text providing the viewer with a definition of the word diva: “A successful and glamorous female personality; especially: a female singer who has achieved popularity”. This definition immediately brought me back to the opening scene of Atlanta’s sixth episode, “Value”, which presents with…

how’d she do it?

Dear Ms. Jacobs,   Over this past weekend, I attempted to replicate a space similar to your garret escape to try to begin to comprehend what you lived through.  Although I will never be able to truly understand what you experienced, I hope to gain some insight on what your reality was like during your time in the garret.  The…

Together and One

The Fits centers around Toni, a child on the verge of becoming a teenage girl. Throughout the film, it is clear that Toni is different; stoic and awkward, she does not fit in with the dance crew. This is only exaggerated by the arrival of a mysterious ailments that is causing the girls to have…

Lydia’s Loopholes: The Garret, Trapdoor, and Gimlet Holes as Escape Mechanisms

To begin approaching an analysis of the chapter title “The Loophole of Retreat,” I asked a couple friends what their associations with the word “loophole” are. Words like “legal,” “white collar,” “politicians,” “corporations,” and “universities” were prevalent responses, confirming my original perspective of the word having a legal or professional connotation—implying someone in a position…

Week 9 Journal Prompt – Alicia

Consider the portion of Scene 2 in the “Harriet Jacobs” play by Lydia Diamond—from the top of page 12 through Harriet’s paragraph on page 14 ending with “…I live under the feet of the Whites who wish us to believe that we are animals”—in which Harriet’s picturesque portrayal of the cotton field is interspersed and…