The Heart of Artificial Intelligence in the Music Industry: Amending the Music Modernization Act to Promote Transparency
Emily Rockwell In recent months, the music industry has continually called for comprehensive legislation or executive action to regulate the use of artificial intelligence (AI) in music production. Even so, the United States government has yet to propose regulations or executive measures to oversee the social and economic impacts of AI on consumer-driven industries such as music. In contrast, the European Parliament has recently developed a comprehensive plan to regulate the rapid expansion of AI technology. This Article explores the numerous impacts of emerging AI technology upon music production and examines how current legislation such as the Music Modernization Act...
Copyright Thickness, Thinness, and a Mannion Test for Images Produced by Generative Artificial Intelligence Applications
Molly Torsen Stech Human authorship has always been, and continues to be, a foundational requirement for copyright protection to subsist in a work. Generative artificial intelligence (AI) challenges this prerequisite but does not overcome it. The output of generative AI is not discernibly different from the output of a human author and therefore benefits from a false sheen of originality. While some argue that prompt engineering fulfills the requirements of originality––the threshold for which is quite low across jurisdictions––prompting still lacks the requisite link between human creativity and the resulting work to receive copyright protections. International copyright treaties and domestic...
BLOG POST: Looking Through the Lens: Can Photography’s Past Support the Copyrightability of AI Art?
Emily Luu *This writing is a blog post. It is not a published IPTF Journal article. The public release of text-to-image models, such as Midjourney and DALL-E, has allowed users to easily create AI-generated images using only a few words.[1] Text-to-image models take user-generated prompts and, within seconds, produce an image matching that description.[2] Although text-to-image programs are a new type of visualization tool that significantly increase accessibility to artistic works for artists and non-artists alike, they have also drawn criticism from traditional artists who view this innovation only as a tool used for perpetuating uncreativity and “copycat” works.[3]As of...
Keeping the Good Faith: YouTube, Fair Use, and the DMCA
Alexandra M. Even YouTube is an important platform for user-generated content and serves as a positive space for creativity on the internet. Nevertheless, there are some glaring problems with the way YouTube handles copyright infringement. Congress enacted the Digital Millennium Copyright Act (DMCA) before the internet had taken shape into the vast and complex body we know today. Copyright holders are given far more leniency than the creators accused of infringement, largely due to a subjective good faith standard imposed by the courts. This article proposes the good faith standard in § 512(c) of the DMCA be amended to incorporate...
The Secret Life of Platform Intellectual Property Adjudication
Shih-wei Chao An emerging trend in intellectual property law is e-commerce platforms adjudicating infringement disputes. When platforms receive right holder complaints and decide whether to remove product listings, suspend the seller, or destroy the infringing inventory—intentional or not—they are acting as “courts,” applying unique “laws” and granting platform-style “remedies.” To provide a peek into this nascent realm of intellectual property alternative dispute resolution, this article first compiles what is known about platforms’ adjudication mechanisms, from complaint to decision, from enforcement to “appeals,” covering both platforms’ basic complaint systems and Amazon’s UPNEP/APEX program. Normatively, however, there are concerns that platforms are...
Choreographic Works in the Age of Social Media: The Issues and Implications of Copyrighting TikTok Dances
Patricia Garza Gonzalez Keara Wilson, the creator of the “Savage” dance on TikTok successfully registered her dance as a choreographic work with the U.S. Copyright Office, making it the first viral TikTok dance protected under the Copyright Act of 1976. She is one of numerous TikTok dance creators seeking copyright protection for their works as the social media platform has bolstered dance dissemination through dance challenges that encourage users to reproduce and post their versions of short routines. Nevertheless, under the current guidelines for choreographic work copyright, TikTok dances are not entitled to copyright protections because of their categorization as...
Digital Art Says: Protect Our “Groove” Too
Annie Kim Digital technology has become one of the most common methods artists use to create art. This advancement in technology causes many copyright difficulties, especially related to artists’ styles. Standardized and common features of digital software have made it far too easy for people to duplicate other people’s work, and more significantly, an artist’s unique style. Current copyright laws are insufficient to address these issues, and there is almost no legal precedent related to protecting an artist’s “art style.” In a groundbreaking case, Williams v. Gaye, the court implemented a two-part test to imply protection for musical styles, the...
From Canvas to Designer Cloth: The Exploitative Nature of the Fair Use Doctrine in the Arts
Victoria Schmidt This Essay examines the controversial launch of the 2020 COACH® x Basquiat Collection featuring the signature image of Jean- Michel Basquiat on Coach purses and clothing. These signature images were part of a larger work of art by Basquiat that aimed to critique racial segregation, police brutality, and the capitalistic pull of American society. Basquiat supporters critique the collaboration as a misappropriation of the artist’s message. Under this assumption, this Essay evaluates the scope of the fair use doctrine through a hypothetical copyright infringement claim against Coach. This Essay examines the provisions of current copyright laws and advocates...
Videogame Broadcasting: Exploring a Growing Industry’s Struggle with Copyright Claims
Zachary Greenberg In the videogame industry, tournament play is crucial for game publishers in creating a loyal fan base. Tournament play has spurred the development of third-party markets including streaming, commentary, and “modding”—creating complementary software for existing games. This essay will examine the intertwined industries of videogames and streaming tournaments, and their turbulent relationship with copyright law through a case study of Super Smash Bros. Melee. In addition to exploring Nintendo’s valid claims for protection under copyright law, this essay will analyze possible solutions to streaming copyright violations utilizing the fair use defense, including wider industry changes like implementing mechanical...
Tarantino v. Miramax: The Rise of NFTs and Their Copyright Implications
Emily Dieli Non-fungible tokens (NFTs) are digital assets that are part of a relatively new industry involving blockchains and cryptocurrencies. As NFTs grow in popularity, questions have arisen over NFT copyright ownership. A federal court will have the opportunity to rule on this issue for the first time in a pending case between Miramax and Quentin Tarantino. The film production company and the well-known director are in dispute over intellectual property ownership of screenplay scenes that Tarantino sold as NFTs. The outcome of the case and future laws will have a direct impact on the way NFTs are purchased and...