The Role of Fiction in Environmentalism 

I enjoyed the introduction of fictional sources and perspectives presented by the readings for this week. For one, I always find mid to late 1900s science fiction stories entertaining, as often these stories are filled with futuristic sounding technology, but only that which could be imagined within the context of the real life technology of

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Reclaiming Waste

Waste is often associated with people or things considered of lower value. This connotation exists because of the discomfort and unwantedness attached to trash itself. As mentioned earlier in the semester, dumpsites and landfills are often placed in lower-class areas, where minorities and people of lower socioeconomic status face the direct consequences of living near

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Asimov writes a waste ‘utopia’ – but highlights the importance of waste as a tool to combat social issues

I thoroughly enjoy many of the science fiction works of Isaac Asimov, an American science fiction writer and biochemistry professor. Reading the short story we did in class, apart from the fantastic science fiction writing, read as a sort of fable, intended to have a lesson behind it. In the story, we see a sociologist

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Personal Reflection: Waste Rebellions and Waste Utopias.

This past set of readings really made me realize how waste is not just a physical problem — it’s deeply political. Waste can be used to challenge oppressive systems by making failure visible. In Sarah Moore’s article on Oaxaca, waste became a symbol of resistance. When the government stopped collecting garbage during political protests, the

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Final Blog Post: Personal Reflection on Waste Rebellions (For 4/27)

Waste rebellions are acts of resistance that make use of the actual reality of discarded items to challenge oppressive systems and question the dominant social order. Understanding that waste streams often reflect and worsen existing social inequalities, these acts turn trash from something we overlook into something that actively creates change. Think about the example

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