Tasha’s TV

The role of the t.v in part one of Tayari Jones’ Leaving Atlanta is not a large presence, however, it is an insightful one. Once it becomes present in the kitchen, it becomes a participant at the dinner table, setting the tone and filling their stomachs with emotions. Readers understand Tasha and her sister Deshaun…

Distance in Physical Touch: Touch in Physical Distance. Leaving Atlanta

I want to look at the way the narrator describes Daddy’s absent voice compared to how the narrator describes Mama’s present body. What happens is that the narrator attributes physical or sensual characteristics to Daddy (even when he isn’t present) and gives descriptions about the unwanted presence of Mama. This difference parallels Tasha’s confusion or…

Motherless Child

Walker illustrates the experience of Black Americans as a kind of motherless children, to quote the jazz standard, who live as second class citizens in America, but are also rejected by the people of their home continent. In a letter to Celie, Nettie describes in near reverent terms: “try to imagine,” she tells her sister,…

Celie & Sofia: Blackness as Repression Released

Drawing on Professor Curseen’s theory from last class — that blackness gets defined differently in The Color Purple — I wanted to investigate how blackness represents itself between Sofia and Celie. The dialog between Sofia and Celie, as well as their interactions with Miss Millie’s family, identify blackness as something other than the conflict of…