Distance in Physical Touch: Touch in Physical Distance. Leaving Atlanta

I want to look at the way the narrator describes Daddy’s absent voice compared to how the narrator describes Mama’s present body. What happens is that the narrator attributes physical or sensual characteristics to Daddy (even when he isn’t present) and gives descriptions about the unwanted presence of Mama. This difference parallels Tasha’s confusion or…

“Only Words Can Undo Words”: Focus on the power of words in “Leaving Atlanta” and future follow up research questions

“”Shh…” said Mama. “I know. you don’t have to talk about it.” She rocked [Daddy] like a grumpy baby. “Mama, let him say it,” Tasha whispered. Only words can undo words. Kids say that to take something back you have to say it backward. Like a filmstrip run the wrong way. Die you hope I.…

Motherless Child

Walker illustrates the experience of Black Americans as a kind of motherless children, to quote the jazz standard, who live as second class citizens in America, but are also rejected by the people of their home continent. In a letter to Celie, Nettie describes in near reverent terms: “try to imagine,” she tells her sister,…

Celie & Sofia: Blackness as Repression Released

Drawing on Professor Curseen’s theory from last class — that blackness gets defined differently in The Color Purple — I wanted to investigate how blackness represents itself between Sofia and Celie. The dialog between Sofia and Celie, as well as their interactions with Miss Millie’s family, identify blackness as something other than the conflict of…

Oh, like Basquiat!

Black artists and intellectuals continue to grapple with Enlightenment style elitism by adopting and inserting themselves within the tropes of the mainstream, thereby subverting and stretching definitions of existence. Glover’s Danny is a quintessential hipster character of this millennial era: a la Hannah in Girls or Vincent Chase in Entourage. Each episode of Atlanta, much…