DeShaun’s Voice is Like A House of Popsicle Sticks

The first section of Tayari Jones’s Leaving Atlanta contains instances of child-like paraphernalia that are realized through the characters’ voices. The descriptions of the voices are not phrases commonly used. When talking about the fictional creature with Tasha, DeShaun says “‘You could tell me. I won’t tell anybody.’ DeShaun’s voice collapsed like a house made…

SFA Project Check in #1

As of now, what is your central question? (Your central question is the question that each of your takes will take up and to which your project as a whole will respond.) How do we see a physical presence influence an attitude or tone in the novels we’ve read, specifically Leaving Atlanta? Does physical presence…

SN Final Project Proposal

In my 7th grade Reading Language Arts class, I will be teaching Brown Girl Dreaming this year. In the memoir Brown Girl Dreaming, Black author Jacqueline Woodson details her experience growing up in two places: South Carolina and New York and coming of age in the peak of the Civil Rights movement. Woodson’s memoir is…

“Too Much of the South in Her”: The tension between Indigo’s physical placement in the South and her spiritual connection with the universe

When readers pick up Sassafrass, Cypress, and Indigo, we are immediately confronted with claim that she has “too much of the South in her.” Even on this back cover, however, there is a tension between what that means in terms of physical location and spiritual connection. The book summarizes “Indigo, the youngest, is still a…

Motherless Child

Walker illustrates the experience of Black Americans as a kind of motherless children, to quote the jazz standard, who live as second class citizens in America, but are also rejected by the people of their home continent. In a letter to Celie, Nettie describes in near reverent terms: “try to imagine,” she tells her sister,…