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John J. Burns Library is delighted to announce the acquisition of Joe Derrane’s Gaillard accordion, a gift to the Irish Music Archives from his children, Joseph P. Derrane, Jr. and Sheila A. Harvey. The highlight of the Joe Derrane Irish Music Materials at Burns Library, this two-row, D/C# button accordion is on display in the Irish Room.

Joe Derrane (1930-2016), a musician and composer whose music career spanned over 60 years, was known for his innovative approach to Irish traditional music on the D/C# button accordion. Born in Boston to Irish immigrants Patrick J. Derrane and Helen E. (Galvin) Derrane, he studied single-row melodeon from age 10 to 12 with Cork-born melodeon player Jerry O’Brien. As a teenager, Derrane taught himself to play piano accordion and D/C# button accordion. His early musical influences also included recordings of German-American melodeonist John J. Kimmel (1866-1942).

From the mid-1940s to circa 1960, Derrane performed Irish traditional music across Boston, appearing frequently in Dudley Street dance hall bands. He was also a regular soloist on live radio. Copley Records invited him to record commercially while he was a high school senior, and he went on to record with collaborators such as his mentor Jerry O’Brien.

A series of gigs brought Derrane to New York City where he met Anne Connaughton. The couple married in 1955, and soon were settled in the Boston area with their two children. With Boston’s Irish dance hall audiences declining, Derrane switched to other instruments and music styles. Between 1962 and 1989, while holding administrative positions at the Massachusetts Bay Transportation Authority (MBTA), he performed jazz, pop, and repertoire from other ethnic traditions. Derrane retired from the MBTA in the late 1980s, and by 1990 retired from music altogether.

In 1993, when Rego Irish Records and Tapes obtained rights to re-release his 78-rpm recordings, Derrane’s music was heard by many for the first time. The CD Irish Accordion caught the attention of journalist Earle Hitchner, who interviewed Derrane and persuaded him to try the button accordion again. After six months of intense practice, his long hiatus from the D/C# button accordion ended with a highly successful performance at Virginia’s 1994 Wolf Trap Festival.

Derrane’s choice of accordion was integral to his playing style. In the 1990s, the D/C# button accordion system that Derrane favored was no longer popular for Irish music; it had been eclipsed by the B/C system. Nevertheless, he stayed with D/C# tuning, purchasing a custom instrument in 1995 from Bertrand Gaillard, a diatonic accordion maker based in France. In 1997 he purchased a second accordion from Gaillard with a new set of modifications. Derrane played the instrument on recordings and in live performances from 1997 until 2010. In 2004, the National Endowment for the Arts awarded him a National Heritage Fellowship, the nation’s highest honor in the traditional arts.

The display of Derrane’s accordion at Burns Library underscores his close ties with Boston College through performances and teaching.  He was a long-time musical associate and friend of Boston College faculty member Séamus Connolly, who served as Sullivan Artist-in-Residence at BC until retiring in 2015. Visitors are welcome to view the instrument while visiting Burns Library.  For Library hours and information, we invite you to check our website or inquire via our contact form.

The Digital Studio has been working hard this semester to increase our offerings for students and staff. Our Sound Room, which is a small recording studio located off our main lab space, has been upgraded with an application of noise reducing foam tile. While this does not make the space sound proof, it does reduce background noise and improve overall audio quality. The Sound Room is equipped with a range of software, including Sibelius, Finale, and Audacity, and is a great spot to check out if you are looking to record a podcast or compose a song. Use of this room is not limited to coursework－you can reserve it anytime to work on a personal project. It can be booked here: ds.bc.edu/digital-studio.

Additionally, we have added a few new programs to our collection of software: Tableau Desktop and OpenRefine. Tableau is a data processing software that allows users to create a variety of visualizations, including charts, maps, and graphs. It is both powerful and easy to use, and we have offered many Coffee & Code events for users of all experience levels to try it out. OpenRefine is an open source software designed to clean up messy data. It has the capabilities to implement edits over huge quantities of datasets, transform data to other formats, and lots of other neat functions. Take a look at our past events, and keep an eye out for more here: ds.bc.edu/events. We’ll be offering more workshops in the coming months, but if you want to get started before that, let us know and we are happy to provide one-on-one support.

The Digital Studio staff is always happy to assist with any of the software that we offer. We are also always open to new software suggestions, be sure to check out our Software Request Policy for details: libguides.bc.edu/dssoftwarerequestpolicy.

The Woods College of Advancing Studies has plunged into online instruction, and the Lynch School of Education is poised to follow. The BC Libraries are already collaborating with the Center for Teaching Excellence to develop a palette of online teaching strategies and tools to support these and other online course offerings as they emerge. Library staff has been focusing on learning online tools for instruction and consultations, assembling links to electronic resources in dedicated course guides, and adding electronic materials to the library collection.

Enid Karr, Senior Research Librarian/Bibliographer, and Sally Wyman, Head, Collection Development & Research Services provided support for two online courses in the Woods College Sustainability Professional Certificate Program, taught by Dr. Jennifer Cole in Spring 2018. For “Eating and the Environment,” they team-taught an introduction to online library materials using the BigBlueButton conference integration in Canvas. For “Wetlands Science and Policy,” schedules didn’t permit synchronous instruction, so Sally and Enid pre-recorded a video class session with Panopto Lecture Capture, which students could watch on their own schedules. They also embedded customized  library guides in Canvas.

They both foresee deepening contact with students in these courses by using Zoom or Google Hangout for video consultations, and establishing online “office hours”.

The collaboration with Dr. Cole began with emails early in the Fall of 2017, months before the beginning of the classes; plans were finalized via Facetime conferences. Enid notes that lead time is especially important for planning library collaborations in online courses, because so much technology is involved.

Another successful collaboration, Julia Hughes, Senior Research Librarian/Bibliographer, worked with Dr. John Fitzgibbon of the Center for Teaching Excellence and instructor in Woods College, to provide materials for a course in Comparative Politics in Fall 2017. Their efforts focused on both building the collection and creating an online guide. Dr. Fitzgibbon said the guide created a foundation to create student assignments “that developed their skills as researchers and political scientists” by providing “all the academic, data, and media resources that they would need to be successful in their work.”

An early start during the summer gave enough lead time to focus discussion and planning on the library collection. Materials Julia assembled opened some new areas for Dr. Fitzgibbon to explore with his students, and some assignments he had planned revealed gaps in the collection that Julia could amend through purchases. Also,the library reserves department had time to purchase and scan print materials–such as textbook chapters–to make them available as online reserves. Again, Dr. Fitzgibbon noted: “Amy Howard and her team in Course Reserves allowed me to create a textbook specifically for the topics I wanted to cover in the course, at no cost to the student.”

Julia said the early collaboration allowed the course to grow organically, beyond the limitations of existing resources. Dr. Fitzgibbon added that with the library’s work  “I was able to create innovative assignments knowing the library had provided the relevant material students needed to be successful.”

Enid Karr and Steve Runge, Learning Commons Manager, have created a guide for anyone developing an online course: BC Libraries support for your online course. The guide covers how to find library help for your online students, finding & requesting appropriate materials for your class, adding a librarian to Canvas, how to access software and citation management tools, and finally copyright and fair use issues.

If you will be teaching an online course in the Fall, please reach out to your subject librarian to discuss how a librarian can enrich your course with the best possible online resources and support.

The McMullen Museum of Art at Boston College received a generous gift of thirty four Late Antique Coptic textiles from the Newton collectors Donald and Barbara Tellalian.   The textiles range in time from the IV to VIII centuries. In prior years these pieces were exhibited at the MFA Boston, RISD, and other venues as well as appearing in the McMullen Museum’s  “Roman in the Provinces: Art on the Periphery of Empire” exhibit in 2015.

As part of the gift, there is also an accompanying collection of 129 books and folios that will be added to Boston College Libraries.  In addition to books on Coptic art and textiles, there are titles on a variety of subjects such as art, architecture, textiles and costumes of ancient Egypt, Armenia, Greece, Rome, Islamic and Byzantine civilizations, and more.  The collection also includes books on the restoration and conservation of textiles, as well as several museum catalogs and catalogs of private collections that hold Coptic Textiles.  Some of the books, such as “Nouveaux Textiles de Palmyre”, cover geographic areas that are sadly out of reach to researches for now.  The depth and breadth of this book collection is amazing and makes it a unique and precious source for the study of Late Antique Coptic Textiles.  We are very fortunate and grateful to Donald and Barbara Tellalian that we received this wonderful gift.

John J. Burns Library continues to highlight its unique collections through a regular series of exhibits installed in our main corridor. A glimpse at this year’s exhibits suggests the breadth of content available for research, teaching, and enjoyment. We invite students, faculty, and the general public to view our exhibits during our regular open hours. We also welcome exhibit proposals and other exhibit-centered collaborations that strongly align with Burns Library content.

From February through June, Burns Library presented The Object in the Archives: Networks and Materiality at Burns Library, an exhibit curated by Rachel A. Ernst, Ph.D. ’18, and longtime Burns Library Reading Room assistant. In her dissertation, “Mattering: Agentic Objects in Victorian Literature,” Dr. Ernst examined objects that have agency within the 19th-century novel and the ways in which those objects reshape their storyworlds. Shifting her lens to the holdings at Burns Library, she chose representative objects from 30 different collections and grouped her selections into four categories: personal, professional, sacred, and leisure. She then asked the visitor to consider how objects move from personal possession to archival artifact, and the relationships and connections that develop between and across objects, collections, and researchers. For a more in-depth look into her curatorial process, see the entry she contributed to our Burns Library Blog.

Our Summer 2018 exhibit is Dreams of Art & Glory: Book Craft by the Roycrofters. Elbert Hubbard founded Roycroft Press as a private press in East Aurora, New York in 1894 when he was unable to find a publisher for his work Little Journeys to the Homes of the Great. The Roycrofters — a  community of craftspeople and artists attracted to Hubbard’s philosophies — flourished within the widespread Arts and Crafts movement for several decades, before declining after Hubbard’s death in 1915. The exhibition features volumes from the Boston College Libraries that highlight Roycrofter printing and bookbinding designs, including the modest Little Journeys pamphlet series, beautifully printed and hand decorated texts, and stunning modelled leather bindings. Works from other artists and presses are also displayed, highlighting the worldwide influence of the Arts and Crafts movement.

Also on display this summer, on the Bapst Library landing outside Gargan Hall, is Viewpoints: Reactions from the Boston College Community, a look at how students have responded to the current events of their days. Diaries, letters, photographs, and poetry from the Boston College Archives allow us to cultivate a connection through time by way of BC students who were serving in the military, confronting racial strife, or grappling with difficult choices.

For the Fall/Winter exhibit, Burns Library Archives staff are in the midst of surveying hundreds of linear feet of typescript and manuscript documents to uncover doodles, drawings, sketches, sculptures, and other artwork to demonstrate that there’s so much more to archives than just words.

Stay tuned to John J. Burns Library social media feeds and blog for more information on installation dates and highlights. We hope you’ll visit soon to experience the unique content our collections have to offer.

In January 2018, Fo Guang Shan Buddhist Temple in Cambridge donated a 22 volume English Language Encyclopedia of Buddhist Art to the Boston College Libraries.  The Fo Guang Shan Temple congregation has 250 temples around the world and this encyclopedia represents the collective 12-years long effort of many monks and scholars.  The encyclopedia has nearly 10, 000 entries, over 14, 000 pictures, and appears to be the first comprehensive reference collection of Buddhist art in the world.   This gift was enthusiastically welcomed by Fine Arts, Theology, and Asian Studies faculty as a valuable and much needed addition to the Boston College Libraries’ collection on Buddhism.  Chris Strauber, Julie Hughes, and Fine Arts faculty Aurelia Campbell accepted the gift on January 28^th at the Fo Guang Shan Temple.

“When Goldilocks went into the home of the three bears, she found that some things were too hot, too cold, too hard, or too soft. But in the middle, things were just right”: the Goldilocks Zone.

The phrase has been widely used in astrophysics and astrobiology in the search for life beyond earth, trying to identify exoplanets that could support life as we know it. Such planets would orbit their suns in a zone that supports liquid water, the building block of organic life, in an area not too hot or cold, but just right for life to thrive, like earth.

Parenthetically, my own current interpretation of this theory is really that we are searching for places where DNA can survive, and that in many respects DNA is actually God’s fingerprint for life, in all its forms. My best guess is that the universe is replete with DNA, and as such, life is probably ubiquitous, and the sum is far greater than the parts.

But although the Goldilocks Zone has been adopted in science, organizations have been slow to realize its implications for their own work. I submit, however, that Boston College generally, and the Libraries in particular reside in an ideal space because of the confluence of factors that allow our University to thrive in innovative ways, without losing our unique identity or mission-based focus.

Based on my experiences in other research libraries, and among colleagues in the Association of Research Libraries, I am continually assured that Boston College is in a sweet spot that allows for big dreams, where anything is theoretically possible, but small enough that we know each other and relationships are meaningful and guided by our common mission.

In fact, BC has been seen as an innovator within the ARL community, through creative spaces, emergent programs (digital scholarship), the engagement of our Burns special collections in undergraduate education, and our organizational culture that strives for inclusion and cross-departmental collaboration on initiatives. In that sense, all parts are essential for the success of the whole. No positions, or people within the BC Libraries are any less important than any other. We are in this together, and we will rise and fall as one.

Among the initiatives that being the right size enables is a horizontally integrated organization. Many large organizations, and libraries in particular, remain in organizational silos. In some sense, silos create a manageable structure. But in my mind, they are intrinsically sterile and predictable. Instead, by being in the Goldilocks Zone, we have been able to engage all our department heads in a coherent decision-making body that intentionally examines how the work in disparate areas is related, and supports open discussion around all decisions. In this way, we make the complexity of our research library as transparent as possible by building trust, appreciation, and understanding across departments. Likewise, when we have an idea that we want to pursue, we involve staff from different departments in teasing out the idea further, before it is vetted by the larger department head group. It may seem bureaucratic, but in fact we are more efficient because we are not too big and cumbersome.

I am grateful that the BC Libraries’ culture represents a microcosm of the larger Goldilocks phenomenon that BC embodies. We are active and willing collaborators, and leaders as appropriate. We are not bigger than the whole, but are essential to the vibrant ecosystem that is BC. It’s an environment where everyone can feel recognized, valued, and that their work and ideas are utilized in the larger mission of “Ever to Excel.”

Boston College remains special for a variety for reasons, but this brief essay is simply a reminder that we are in a Goldilocks place, of being not too big, not too small, where anything is possible, and we all can appreciate how our respective roles fit together, guided by a mission that we can all believe in and support. To be part of this community is to understand that faith, service and knowledge represent something bigger than ourselves, and by sharing this realization we are collectively full of life, with fertile ground for ideas and growth, and the ongoing formation of our students, and ourselves; Boston College, thriving within the ideal organizational ecosystem, our Goldilocks Zone.

Wishing you all a productive and restful summer.