Harlem Renaissance Packet

Listen, watch, and look at items A-O total watch listen time is roughly an 1 hour (about 58-63 minutes).

To assist you as you in organizing your time, I have were applicable indicated the individual and total watch/listen times for each clip. P& Q are optional texts.

I. Listen [Total listen time – 11 minutes and 55 seconds]:

A. “Just Because She Made Dem Goo Goo Eyes (1900)”[4:55]. Posted by Sheet Music Singer. July 6, 2018. Youtube.com <https://www.youtube.com/watch?v=vpPaTZnNk0w> Accessed 10.4.19.

B. “Manuel Romaine. ‘Daises Won’t Tell’ Edison Standard Record 10399 (1910)” [2:03]. Posted by Tim Gracyk. Sep. 13, 2014. Youtube.com <https://www.youtube.com/watch?v=-_8VPVX0nos> Accessed 10.4.19.

C. “‘La Pas Ma La’ by Ernest Hogan (1895, Ragtime piano)” [2:22]. Posted by Ragtimedorianhenry. Nov. 10, 2014. Youtube.com <https://www.youtube.com/watch?v=fvu_7l52LF4> Accessed 10.4.19.

D. “Miles & Bob Pratcher: ‘I’m Gonna Live Anyhow Until I Die’ (1959)” [2:35]. Posted by Alan Lomax Archives. Jan. 26, 2011. Youtube.com <https://www.youtube.com/watch?v=w7fbrwQwc7E> Accessed 10.4.19.

II. Watch [Please note that you will need your BC login credentials to access the library database. Total watch time – 45-50 minutes]:

Dance Black America: A Festival of Modern Jazz, Tap & African Styles [Total watch time – 8 minutes 40 seconds]

E- “Al Perryman as Earl “Snake Hips” Tucker.”  (1:15). Dance Black America: A Festival of Modern Jazz, Tap & African Styles. performed by Charles Moore, 1928-1986 (Pennebaker Hegedus Films, 1984), 1 hour 27 mins. Found on Alexander Street: A Proquest Company.  via DanceOnline: Dance in Video. March 14, 2019.

F- “Leon Johnson as Master Juba.”  (1:35). Dance Black America: A Festival of Modern Jazz, Tap & African Styles. performed by Charles Moore, 1928-1986 (Pennebaker Hegedus Films, 1984), 1 hour 27 mins. Found on Alexander Street: A Proquest Company.  via DanceOnline: Dance in Video. March 14, 2019.

G- “The Cakewalk.” (1:56). Dance Black America: A Festival of Modern Jazz, Tap & African Styles. performed by Charles Moore, 1928-1986 (Pennebaker Hegedus Films, 1984), 1 hour 27 mins. Found on Alexander Street: A Proquest Company.  via DanceOnline: Dance in Video. March 14, 2019.

“H- Lindy Hop.” (3:59). Dance Black America: A Festival of Modern Jazz, Tap & African Styles. performed by Charles Moore, 1928-1986 (Pennebaker Hegedus Films, 1984), 1 hour 27 mins. Found on Alexander Street: A Proquest Company.  via DanceOnline: Dance in Video. March 14, 2019.

The Call of the Jitterbug [Total watch time 36 minutes and 32 seconds]

I- “Lindy Hop or Jitterbug”  (8:25). The Call of the Jitterbug.  produced by Tana Ross, Jesper Sorensen and Vibeke Winding; performed by Frankie Manning, 1914-2009, Norma Miller, 1919-, Dizzy Gillespie, 1917-1993, Mama Lu Parks and Sugar Sullivan-Niles (New York, NY: Filmakers Library, 1989), 37 mins

J- “Passing it On.” (7:55). The Call of the Jitterbug.  produced by Tana Ross, Jesper Sorensen and Vibeke Winding; performed by Frankie Manning, 1914-2009, Norma Miller, 1919-, Dizzy Gillespie, 1917-1993, Mama Lu Parks and Sugar Sullivan-Niles (New York, NY: Filmakers Library, 1989), 37 mins

K- “Rhythms.” (7:08). The Call of the Jitterbug.  produced by Tana Ross, Jesper Sorensen and Vibeke Winding; performed by Frankie Manning, 1914-2009, Norma Miller, 1919-, Dizzy Gillespie, 1917-1993, Mama Lu Parks and Sugar Sullivan-Niles (New York, NY: Filmakers Library, 1989), 37 mins

L- “A Joyful Legacy.” (13:04).  The Call of the Jitterbug.  produced by Tana Ross, Jesper Sorensen and Vibeke Winding; performed by Frankie Manning, 1914-2009, Norma Miller, 1919-, Dizzy Gillespie, 1917-1993, Mama Lu Parks and Sugar Sullivan-Niles (New York, NY: Filmakers Library, 1989), 37 minsDance in Video. March 14, 2019.

III.  Look at Visual Art by Augusta Savage:

M- “Augusta Savage (1892-1962).” The Melvin Holmes Collection of African American Art.  Online at <theholmesgallery.com>  Accessed 3/15/19.

N- “Artist of Color Spotlight: Augusta Savage.” Mia Araujo Fine Art and Illustration.  Online at <www.art-by-mia.com> Accessed 3/15/19.

O- “Lenore, a Portrait Bust Sculpture by Augusta Savage.” Digital Public Library of America. Online at <dp.la>  Accessed 3/15/19.

Read Zora Neale Hurston on Negro Art & Performance:

P- Hurston, Zora Neale. “Color Struck: A Play in Four Scenes.” FIRE!! A Quarterly Dedicated to Younger Negro Artists. Volume 1 Issue 1. New York: The Fire Press, 1926. 7-14.  Online at <https://issuu.com/poczineproject> Accessed 3/15/19. (8 pages)

Q- Hurston, Zora Neale.”Characteristics of Negro Expression” (1934) in The Sanctified Church, Turtle Island, Berkeley, 1981. 49-68.  Found on http://www.ypsilonediteur.com. Accessed 3/15/19.  Pdf available here: “Characteristics of Negro Expression” by Zora Neale Hurston.  (20 pages)

R- Hurston, Zora Neale. “Art and Such.” Found on the Digital Public Library of America.  <www.dp.la.org> Accessed January 25, 2019. (10 pages double spaced)

S- Hurston, Zora Neale. “The Pet Negro System.” The American Mercury  (May 1943): 593-600. Found online at The Unz Review: An Alternative Media Collection. <www.unz.com> Accessed January 25, 2019. (8 pages)

Additional (Optional) Texts:

T- “Watch: Meet Augusta Savage, The Most Important African-American Sculptor.” Timeline. May 23, 2017.  Online at <Timeline.com> Accessed 3/15/19.

U- “Elizabeth Cotten – ‘Oh Babe It Ain’t No Lie'” [4:43]. Posted by Schroomeryslearyfan. Feb. 18, 2010. YouTube.com <https://www.youtube.com/watch?v=6GFM6B0oQ8M> Accessed 10.4.19.

V-  Hughes, Langston. “The Negro Artist and the Racial Mountain.” (1926) Found on “Modern American Poetry.” English Department. University of Illinois.

Challenge: Power

https://www.nytimes.com/live/2021/09/27/nyregion/r-kelly-trial-news/r-kelly-is-going-to-prison-why-did-it-take-so-long

“R. Kelly is going to prison. Why did it take so long?”

Although R. Kelly has been a known predator toward women, especially young girls, for decades, he is only now being forced to face any repercussions for his actions. These circumstances inevitably beg the question as to why it took decades for Kelly’s actions to send him to prison. This article attempts to answer that question, offering Kelly’s blackmail and intimidation efforts, financial settlements, and his network of supporters as explanations. Ultimately, the various reasonings outlined in this article accumulate into an abuse of power, as Kelly wielded his wealth and celebrity status as weapons against the women and girls he exploited.