I am Associate Professor of English at Boston College, where I teach and write about premodern English literature. I am the author of Meter and Modernity in English Verse, 1350–1650 (University of Pennsylvania Press, 2020) and English Alliterative Verse: Poetic Tradition and Literary History (Cambridge University Press, 2016), which won the 2018 English Association Beatrice White Prize. With Irina Dumitrescu, I edited The Shapes of Early English Poetry: Style, Form, History (Medieval Institute Publications, 2019). I edit the Yearbook of Langland Studies with Alastair Bennett and Katharine Breen. My writing on literature, politics, and higher education appears in The Atlantic, Vox, the Chronicle of Higher Education, and elsewhere. In collaboration with my students, I am mapping Chaucer’s Canterbury Tales and building a digital textbook for Middle English alliterative poetry.
My research focuses on meter and poetics (what makes poetry tick). I am especially interested in poetry from the medieval period, which has led to an interest in periodization itself. All of my scholarship deals in one way or another with the historicity of early English literature: its forms and cultural meanings, and how those are mediated by modern disciplinary study. My current project, tentatively titled Unheard Melodies: Apophatic Poetics in English Literature, concerns the paradoxical power of literature to represent what literature cannot represent: novels no one can read, lyrics no one can hear, and more.