![\"McMullen](\"https:\/\/mcmullenmuseum.bc.edu\/learn\/images\/ioc3.jpg\")
<\/figure>\n\n\n\nVirtual Walkthroughs<\/h2>\n\n\n\n
Did you miss an exhibition, or would you like to revisit one? Our virtual walkthroughs are like being there.<\/p>\n\n\n\n
- \n
- States of Becoming<\/a><\/li>\n\n\n\n
- The Lost Generation: Women Ceramicists and the Cuban Avant-Garde | La generaci\u00f3n perdida: mujeres ceramistas y la vanguardia cubana<\/a><\/li>\n\n\n\n
- Gateway to Himalayan Art<\/a><\/li>\n\n\n\n
- Landscape of Memory: Seven Installations from the Barjeel Art Foundation (Sharjah, UAE)<\/a><\/li>\n\n\n\n
- American Alternative Comics, 1980\u20132000:\u00a0Raw<\/em>,\u00a0Weirdo<\/em>, and Beyond<\/a><\/li>\n\n\n\n
- Martin Parr: Time and Place<\/a><\/li>\n\n\n\n
- Mariano: Variations on a Theme | Variaciones sobre un tema<\/a><\/li>\n\n\n\n
- Taking Shape: Abstraction from the Arab World, 1950s\u20131980s<\/a><\/li>\n\n\n\n
- Indian Ocean Current: Six Artistic Narratives<\/a><\/li>\n\n\n\n
- Simon Dinnerstein:\u00a0The Fulbright Triptych<\/em><\/a><\/li>\n\n\n\n
- Alen MacWeeney and a Century of New York Street Photography<\/a><\/li>\n\n\n\n
- Eaglemania: Collecting Japanese Art in Gilded Age America<\/a><\/li>\n\n\n\n
- Cuenca: City of Spanish Abstraction<\/a><\/li>\n\n\n\n
- Carrie Mae Weems: Strategies of Engagement<\/a><\/li>\n\n\n\n
- Cao Jun: Hymns to Nature<\/a><\/li>\n\n\n\n
- Nature\u2019s Mirror: Reality and Symbol in Belgian Landscape<\/a><\/li>\n\n\n\n
- Esteban Lisa: The Abstract Cabinet<\/a><\/li>\n\n\n\n
- Rafael Soriano: The Artist as Mystic<\/a><\/li>\n<\/ul>\n\n<\/div>
\n\n![\"McMullen](\"https:\/\/mcmullenmuseum.bc.edu\/learn\/images\/books.jpg\")
<\/a><\/figure>\n\n\n\n<\/div>\n\n\n\nDigital Exhibition Catalogues<\/h2>\n\n\n\n
Read and download full PDF versions of many of our exhibition catalogues.<\/p>\n\n\n\n
- \n
- Raw<\/em>,\u00a0Weirdo<\/em>, and Beyond: American Alternative Comics, 1980\u20132000<\/a><\/li>\n\n\n\n
- Arnie Jarmak: Photographing in Chelsea in Transition, 1977\u201389<\/a><\/li>\n\n\n\n
- Indian Ocean Current: Six Artistic Narratives<\/a><\/li>\n\n\n\n
- William Trost Richards: Hieroglyphs of Landscape\u00a0<\/a><\/li>\n\n\n\n
- Eaglemania: Collecting Japanese Art in Gilded Age America<\/a><\/li>\n\n\n\n
- Cuenca: City of Spanish Abstraction<\/a><\/li>\n\n\n\n
- Carrie Mae Weems: Strategies of Engagement<\/a><\/li>\n\n\n\n
- Cao Jun: Hymns to Nature<\/a><\/li>\n\n\n\n
- Nature\u2019s Mirror: Reality and Symbol in Belgian Landscape<\/a><\/li>\n\n\n\n
- Rafael Soriano: The Artist as Mystic | El artista como m\u00edstico<\/a><\/li>\n\n\n\n
- Beyond Words: Illuminated Manuscripts in Boston Collections<\/a><\/li>\n\n\n\n
- \u00a0\u00a0\u00a0Access the full Publications archive\u00a0here<\/a><\/li>\n<\/ul>\n\n<\/div>
\n\n![\"McMullen](\"https:\/\/mcmullenmuseum.bc.edu\/learn\/images\/museum.jpg\")
<\/a><\/figure>\n\n\n\n<\/div>\n\n\n\nYouTube Channel<\/a><\/h2>\n\n\n\n
Presentations of current research, publication highlights, art history crash courses, and more by prominent scholars and exhibition curators. <\/p>\n\n<\/div>
\n\n![\"McMullen](\"https:\/\/mcmullenmuseum.bc.edu\/learn\/images\/podcasts.jpg\")
<\/a><\/figure>\n\n\n\n<\/div>\n\n\n\nPodcasts<\/h2>\n\n\n\n
In-depth discussions of exhibitions and art by experts in the field.<\/p>\n\n\n\n
- \n
- Art in Focus: \u201cGateway to Himalayan Art\u201d with Graduate Students No\u00ebl Ingram and Kelly Gray<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cGateway to Himalayan Art\u201d with Professors Matthew Vale and Yonder Gillihan<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cLandscape of Memory\u201d with Professors Kristin Peterson and Ren\u00e9e Pastel<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cLandscape of Memory\u201d with Professors Elitsa Molles and Maheen Haider<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cMartin Parr\u201d with Professors Greer Muldowney and Ash Anderson<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cAmerican Alternative Comics\u201d with McMullen Intern Graduate Students<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cMariano\u201d with Oliver Wunsch and Kevin Lotery<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cMariano\u201d Interview with Curator Elizabeth Thompson Goizueta<\/a><\/li>\n\n\n\n
- \u00a0\u00a0\u00a0…and more McMullen podcasts on\u00a0the Terrace<\/em><\/a><\/li>\n<\/ul>\n\n<\/div>
\n\n![\"McMullen](\"https:\/\/mcmullenmuseum.bc.edu\/learn\/images\/interactive.jpg\")
<\/a><\/figure>\n\n\n\n<\/div>\n\n\n\nInteractive Spotlights<\/a><\/h2>\n\n\n\n
Explore the most recent interactive display of an object from the McMullen\u00a0here<\/a>. Check back frequently as the collection grows.<\/p>\n\n\n\n
- \n
- Arthur Clifton Goodwin,\u00a0The Custom House Tower from Long Wharf<\/em>, 1913<\/a><\/li>\n\n\n\n
- Mourning Fan<\/em>, c. 1830\u201334<\/a><\/li>\n\n\n\n
- Samuel M. Griggs,\u00a0Rocky Coast<\/em>, 1866<\/a><\/li>\n\n\n\n
- Alessandro Nelli,\u00a0Augustus of Prima Porta<\/em>, 1880\u20131900<\/a><\/li>\n\n\n\n
- James Miller,\u00a0Peaceable Kingdom<\/em>, n.d.<\/a><\/li>\n<\/ul>\n\n<\/div><\/div>\n\t\t<\/div>\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Visit, read, watch, listen, and explore with McMullen From Home. Tour current and past exhibitions in virtual walkthroughs, read digital exhibition catalogues, watch presentations of current research and publication highlights by prominent scholars on the McMullen\u2019s YouTube channel, listen to podcasts with Boston College professors and students, and explore interactive spotlights to examine works from the permanent collection.<\/p>\n","protected":false},"author":140593,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4268","page","type-page","status-publish","hentry"],"acf":[],"featured_image_src":null,"_links":{"self":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages\/4268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/users\/140593"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/comments?post=4268"}],"version-history":[{"count":15,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages\/4268\/revisions"}],"predecessor-version":[{"id":4688,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages\/4268\/revisions\/4688"}],"wp:attachment":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/media?parent=4268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Mourning Fan<\/em>, c. 1830\u201334<\/a><\/li>\n\n\n\n
- Art in Focus: \u201cGateway to Himalayan Art\u201d with Professors Matthew Vale and Yonder Gillihan<\/a><\/li>\n\n\n\n
- Arnie Jarmak: Photographing in Chelsea in Transition, 1977\u201389<\/a><\/li>\n\n\n\n
- The Lost Generation: Women Ceramicists and the Cuban Avant-Garde | La generaci\u00f3n perdida: mujeres ceramistas y la vanguardia cubana<\/a><\/li>\n\n\n\n