{"id":2906,"date":"2025-01-13T08:02:42","date_gmt":"2025-01-13T13:02:42","guid":{"rendered":"https:\/\/sites.bc.edu\/museum\/?page_id=2906"},"modified":"2025-03-27T14:52:10","modified_gmt":"2025-03-27T18:52:10","slug":"mobilelabels","status":"publish","type":"page","link":"https:\/\/sites.bc.edu\/museum\/mobilelabels\/","title":{"rendered":"2101 Commonwealth Collection"},"content":{"rendered":"\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<style>.kadence-column2906_675d56-17{max-width:100%;margin-left:auto;margin-right:auto;}.wp-block-kadence-column.kb-section-dir-horizontal:not(.kb-section-md-dir-vertical)>.kt-inside-inner-col>.kadence-column2906_675d56-17{-webkit-flex:0 1 100%;flex:0 1 100%;max-width:unset;margin-left:unset;margin-right:unset;}.kadence-column2906_675d56-17 > .kt-inside-inner-col,.kadence-column2906_675d56-17 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2906_675d56-17 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2906_675d56-17 > .kt-inside-inner-col{flex-direction:column;}.kadence-column2906_675d56-17 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2906_675d56-17 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2906_675d56-17{position:relative;}@media all and (min-width: 1025px){.wp-block-kadence-column.kb-section-dir-horizontal>.kt-inside-inner-col>.kadence-column2906_675d56-17{-webkit-flex:0 1 100%;flex:0 1 100%;max-width:unset;margin-left:unset;margin-right:unset;}}@media all and (max-width: 1024px){.kadence-column2906_675d56-17 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.wp-block-kadence-column.kb-section-sm-dir-vertical:not(.kb-section-sm-dir-horizontal):not(.kb-section-sm-dir-specificity)>.kt-inside-inner-col>.kadence-column2906_675d56-17{max-width:100%;-webkit-flex:1;flex:1;margin-left:auto;margin-right:auto;}.kadence-column2906_675d56-17 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2906_675d56-17 mobile-section\"><div class=\"kt-inside-inner-col\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"383\" src=\"http:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/01\/mcmullen-logo-gold-1024x383.png\" alt=\"Logo\" class=\"wp-image-2910\" srcset=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/01\/mcmullen-logo-gold-1024x383.png 1024w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/01\/mcmullen-logo-gold-300x112.png 300w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/01\/mcmullen-logo-gold-768x287.png 768w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/01\/mcmullen-logo-gold.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Welcome to the mobile guide to selections of the McMullen Museum of Art\u2019s permanent collection on view on the first floor of 2101 Commonwealth. You may use the QR codes on each work\u2019s label to access its commentary, or you may select from the list below.<\/p>\n\n\n\n<p>This index is organized by room name and number. Works in the Carolyn A. and Peter S. Lynch Collection also have their own index,&nbsp;<a href=\"https:\/\/mcmullenmuseum.bc.edu\/mobilelabels\/#lynch\">viewable at this link<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-ast-global-color-5-color has-text-color has-background has-link-color wp-elements-37f248a0b5cbf6eaf56cb65bea2f3690\" style=\"background-color:#5e87b0;padding-top:16px;padding-bottom:16px;padding-left:16px\"><strong>First floor corridor south<\/strong><\/h3>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-query display-collections-list do-not-stack-on-mobile is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-4420 post type-post status-publish format-standard hentry category-first-floor-corridor-north category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/jules-dupre-landscape-with-woman-in-red\/\" target=\"_self\" >Jules Dupr\u00e9 Landscape with Woman in Red<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Jules Dupr\u00e9 (1811\u201389)Landscape with Woman in Red, c. 1880 Oil on canvasMcMullen Museum of Art, Boston College, 1988.399 Jeffery HoweProfessor Emeritus, Art History This bucolic scene of a small remote farmhouse depicts an age-old mode of life far from the increasing urbanization and industrialization of modern Paris. Dupr\u00e9 was a leading artist of the Barbizon&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4146 post type-post status-publish format-standard has-post-thumbnail hentry category-first-floor-corridor-north category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><figure style=\"aspect-ratio:auto;width:100px;height:100px;\" class=\"wp-block-post-featured-image\"><a href=\"https:\/\/sites.bc.edu\/museum\/marco-benefial-stoning-of-st-stephen\/\" target=\"_self\"  style=\"height:100px\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"615\" src=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Marco Benefial Stoning of St. Stephen\" style=\"width:100%;height:100%;object-fit:contain;\" srcset=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial.jpg 1200w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial-300x154.jpg 300w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial-1024x525.jpg 1024w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial-768x394.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/marco-benefial-stoning-of-st-stephen\/\" target=\"_self\" >Marco Benefial Stoning of St. Stephen<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Marco Benefial (1684\u20131764)Stoning of St. Stephen, c. 1730 Oil on canvasMcMullen Museum of Art, Boston College, 1988.29 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History The painting depicts the story of the first Christian martyr, Stephen (c. 5\u201334 CE), as told in the Acts of the Apostles 6:8\u20137:60.&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-2953 post type-post status-publish format-standard has-post-thumbnail hentry category-atrium-collection category-charles-hack-and-the-hearn-family-trust-collection category-first-floor-corridor-north category-first-floor-corridor-south category-lynch-collection-index category-permanent-collection-index\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><figure style=\"aspect-ratio:auto;width:100px;height:100px;\" class=\"wp-block-post-featured-image\"><a href=\"https:\/\/sites.bc.edu\/museum\/picasso\/\" target=\"_self\"  style=\"height:100px\"><img loading=\"lazy\" decoding=\"async\" width=\"115\" height=\"115\" src=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/01\/picasso-thumb-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Pablo Picasso\" style=\"width:100%;height:100%;object-fit:contain;\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/picasso\/\" target=\"_self\" >Pablo Picasso<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">L\u2019homme barbu (Bearded Man) <\/p><\/div><\/div>\n<\/div>\n\n<\/li><\/ul><\/div>\n\n\n<style>.kadence-column2906_1b138f-59{max-width:100%;margin-left:auto;margin-right:auto;}.wp-block-kadence-column.kb-section-dir-horizontal:not(.kb-section-md-dir-vertical)>.kt-inside-inner-col>.kadence-column2906_1b138f-59{-webkit-flex:0 1 100%;flex:0 1 100%;max-width:unset;margin-left:unset;margin-right:unset;}.kadence-column2906_1b138f-59 > .kt-inside-inner-col,.kadence-column2906_1b138f-59 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column2906_1b138f-59 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column2906_1b138f-59 > .kt-inside-inner-col{flex-direction:column;}.kadence-column2906_1b138f-59 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column2906_1b138f-59 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column2906_1b138f-59{position:relative;}@media all and (min-width: 1025px){.wp-block-kadence-column.kb-section-dir-horizontal>.kt-inside-inner-col>.kadence-column2906_1b138f-59{-webkit-flex:0 1 100%;flex:0 1 100%;max-width:unset;margin-left:unset;margin-right:unset;}}@media all and (max-width: 1024px){.kadence-column2906_1b138f-59 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.wp-block-kadence-column.kb-section-sm-dir-vertical:not(.kb-section-sm-dir-horizontal):not(.kb-section-sm-dir-specificity)>.kt-inside-inner-col>.kadence-column2906_1b138f-59{max-width:100%;-webkit-flex:1;flex:1;margin-left:auto;margin-right:auto;}.kadence-column2906_1b138f-59 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column2906_1b138f-59 mobile-section\"><div class=\"kt-inside-inner-col\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-ast-global-color-5-color has-text-color has-background has-link-color wp-elements-9a5f57d2331559323a971e405ae4e751\" style=\"background-color:#5e87b0;padding-top:16px;padding-bottom:16px;padding-left:16px\"><strong>First floor corridor north<\/strong><\/h3>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-query display-collections-list do-not-stack-on-mobile is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-3269 post type-post status-publish format-standard has-post-thumbnail hentry category-first-floor-corridor-south category-lynch-collection-index category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><figure style=\"aspect-ratio:auto;width:100px;height:100px;\" class=\"wp-block-post-featured-image\"><a href=\"https:\/\/sites.bc.edu\/museum\/william-bradford\/\" target=\"_self\"  style=\"height:100px\"><img loading=\"lazy\" decoding=\"async\" width=\"115\" height=\"115\" src=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/02\/bradford-packed-thumb.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"William Bradford Packed Ice\" style=\"width:100%;height:100%;object-fit:contain;\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/william-bradford\/\" target=\"_self\" >William Bradford Packed Ice<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Trapped in Packed Ice <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-2953 post type-post status-publish format-standard has-post-thumbnail hentry category-atrium-collection category-charles-hack-and-the-hearn-family-trust-collection category-first-floor-corridor-north category-first-floor-corridor-south category-lynch-collection-index category-permanent-collection-index\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><figure style=\"aspect-ratio:auto;width:100px;height:100px;\" class=\"wp-block-post-featured-image\"><a href=\"https:\/\/sites.bc.edu\/museum\/picasso\/\" target=\"_self\"  style=\"height:100px\"><img loading=\"lazy\" decoding=\"async\" width=\"115\" height=\"115\" src=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/01\/picasso-thumb-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Pablo Picasso\" style=\"width:100%;height:100%;object-fit:contain;\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/picasso\/\" target=\"_self\" >Pablo Picasso<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">L\u2019homme barbu (Bearded Man) <\/p><\/div><\/div>\n<\/div>\n\n<\/li><\/ul><\/div>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Uncategorized below<\/p>\n\n\n\n<div class=\"wp-block-query display-collections-list do-not-stack-on-mobile is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-4420 post type-post status-publish format-standard hentry category-first-floor-corridor-north category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/jules-dupre-landscape-with-woman-in-red\/\" target=\"_self\" >Jules Dupr\u00e9 Landscape with Woman in Red<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Jules Dupr\u00e9 (1811\u201389)Landscape with Woman in Red, c. 1880 Oil on canvasMcMullen Museum of Art, Boston College, 1988.399 Jeffery HoweProfessor Emeritus, Art History This bucolic scene of a small remote farmhouse depicts an age-old mode of life far from the increasing urbanization and industrialization of modern Paris. Dupr\u00e9 was a leading artist of the Barbizon&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4415 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/anthonij-mauve-snow-scene-with-sheep\/\" target=\"_self\" >Anthonij Mauve Snow Scene with Sheep<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Anthonij (Anton) Mauve (1838\u201388)Snow Scene with Sheep, c. 1882\u201388 Oil on canvasMcMullen Museum of Art, Boston College, 1988.91 Jeffery HoweProfessor Emeritus, Art History Mauve was a prominent member of \u201cthe Hague school,\u201d a group of Dutch painters who sought to revive the tradition of naturalism that had characterized seventeenth-century Dutch painting through landscape and rural&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4409 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/alessandro-longhi-portrait-of-venetian-man-and-boy\/\" target=\"_self\" >Alessandro Longhi Portrait of Venetian Man and Boy<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Alessandro Longhi (1733\u20131813)Portrait of Venetian Man and Boy, c. 1760 Oil on canvas, relinedMcMullen Museum of Art, Boston College, Gift of Mrs. Timothy Dwight, 1988.1 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History Captured in the midst of a lesson, with a quill in hand, a boy sits&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4403 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/john-wollaston-portrait-of-a-boy\/\" target=\"_self\" >John Wollaston Portrait of a Boy<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">John Wollaston (1710\u201375)Portrait of a Boy, 1750s Oil on canvasMcMullen Museum of Art, Boston College, Gift of Mr. &amp; Mrs. Will J. Lessard, 1988.177 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History Born and trained as a portrait painter in London, Wollaston moved in 1749 to New York,&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4395 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/philip-leslie-hale-in-the-garden\/\" target=\"_self\" >Philip Leslie Hale In the Garden<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Philip Leslie Hale (1865\u20131931)In the Garden, c. 1900 Oil on canvasMcMullen Museum of Art, Boston College, Gift of Jane Frances Welch Cronin and Daniel A. Cronin Jr., 2018.76 Diana LarsenAssistant Director, McMullen Museum Hale was an influential art teacher, writer, and critic as well as a leading painter of the Boston school, along with his&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4390 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/william-trost-richards-tintagel\/\" target=\"_self\" >William Trost Richards\u00a0Tintagel<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">William Trost Richards (1833\u20131905)Tintagel, c. 1882\u201385 Oil on panelMcMullen Museum of Art, Boston College, Gift of William M. &amp; Alison S. Vareika \u201974, P\u201909, \u201915, LP\u201916, 2004.13 Jeffery HoweProfessor Emeritus, Art History This small oil sketch depicts the promontory of Tintagel, the legendary birthplace of King Arthur, at sunset. It is an unusually simple yet&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4383 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/after-annibale-carracci-holy-family\/\" target=\"_self\" >After Annibale Carracci Holy Family<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">After Annibale Carracci (1560\u20131609)Holy Family (Montalto Madonna), n.d. Oil on canvas mounted on panelMcMullen Museum of Art, Boston College, 1988.85 Stephanie C. LeoneProfessor, Art History The&nbsp;Holy Family&nbsp;is a reverse copy of a detail of Annibale Carracci\u2019s famous&nbsp;Montalto Madonna, c. 1598\u20131600, now in the National Gallery, London1&nbsp;(see image). Though small and partial, the painting tells the&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4375 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/harriet-christina-cany-peale-idealized-portrait-of-a-woman\/\" target=\"_self\" >Harriet Christina Cany Peale Idealized Portrait of a Woman<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Harriet Christina Cany Peale (1800\u201369)Idealized Portrait of a Woman (Female in a Turban), c. 1840\u201360 Oil on canvasMcMullen Museum of Art, Boston College, Gift of Betsy Cahill in memory of Dr. Andrew T. Cahill, 1993.3 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History In 1840 Harriet Cany, a&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4369 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/elihu-vedder-peasant-girl-spinning\/\" target=\"_self\" >Elihu Vedder Peasant Girl Spinning<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Elihu Vedder (1863\u20131923)Peasant Girl Spinning (Spinning under the Olives), c. 1867 Oil on canvasMcMullen Museum of Art, Boston College, 1988.83 Jeffery HoweProfessor Emeritus, Art History Although better known for his later symbolist paintings and illustrations, Elihu Vedder was a member of the realist movement in the 1860s and a friend of William Morris Hunt (1824\u201379).&nbsp;Peasant&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4366 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/john-joseph-enneking-mountain-stream\/\" target=\"_self\" >John Joseph Enneking Mountain Stream<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">John Joseph Enneking (1841\u20131916)Mountain Stream, 1871 Oil on canvasMcMullen Museum of Art, Boston College, 1988.66 Jeffery HoweProfessor Emeritus, Art History This image of white water streaming over rocks in a mountain setting captures an unspoiled image of the American landscape. The varied topography of the Adirondacks and the White Mountains were popular subjects for artists,&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4350 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/william-merritt-chase-autumn-still-life\/\" target=\"_self\" >William Merritt Chase Autumn Still Life<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">William Merritt Chase (1849\u20131916)Autumn Still Life, c. 1906 Oil on canvasMcMullen Museum of Art, Boston College, Gift of Alexandria &amp; Michael N. Altman P\u201922, \u201924, \u201926, 2022.113 John McCoyAssistant Director, McMullen Museum The genre of still life\u2014paintings depicting flowers, fruits, vessels, and other arranged, inanimate objects\u2014became codified in Dutch painting in the sixteenth century. Through&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4336 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/william-lamb-picknell-le-declin-du-jour\/\" target=\"_self\" >William Lamb Picknell Le d\u00e9clin du jour<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">William Lamb Picknell (1853\u201397)Le d\u00e9clin du jour (Fort Carr\u00e9, Antibes, France), c. 1895 Oil on canvasMcMullen Museum of Art, Boston College, Gift of Alexandria &amp; Michael N. Altman P\u201922, \u201924, \u201926, 2019.3 Jeffery HoweProfessor Emeritus, Art History Washed in the warm light of the setting sun, the massive sixteenth-century Fort Carr\u00e9 at Antibes rises above&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4328 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/orazio-de-ferrari-woman-taken-in-adultery\/\" target=\"_self\" >Orazio de Ferrari Woman Taken in Adultery<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Orazio de Ferrari (1606\u201357)Woman Taken in Adultery, c. 1639 Oil on canvasMcMullen Museum of Art, Boston College, 1988.168 Stephanie C. LeoneProfessor, Art History Nothing is known about&nbsp;Woman Taken in Adultery&nbsp;prior to its display in Boston College\u2019s Bapst Library in 1950, but its attribution to Orazio de Ferrari places it in the prosperous, mercantile, and international&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4318 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/michele-tosini-madonna-with-christ-and-st-john-the-baptist\/\" target=\"_self\" >Michele Tosini Madonna with Christ and St. John the Baptist<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Michele Tosini (1503\u201377) and assistantsMadonna with Christ and St. John the Baptist, c. 1545\u201360 Oil on wood panel, transferred to canvasMcMullen Museum of Art, Boston College, Gift of Julie Shaw (Quincy Adams Shaw), 1988.320 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History When this painting was given to&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4310 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/giambettino-cignaroli-madonna-and-child-with-st-john-the-baptist\/\" target=\"_self\" >Giambettino Cignaroli Madonna and Child with St. John the Baptist<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Giambettino or Giuseppe (Fra Felice) CignaroliMadonna and Child with St. John the Baptist, 1750\u20131800 Oil on canvasMcMullen Museum of Art, Boston College, 1988.30 Stephanie C. LeoneProfessor, Art History In 1866, this painting of the seated Madonna holding the Christ Child, with a young John the Baptist, was sold as an authentic work of Italian Renaissance&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4303 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/pierre-subleyras-meal-at-the-house-of-simon-the-pharisee\/\" target=\"_self\" >Pierre Subleyras Meal at the House of Simon the Pharisee<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Pierre Subleyras (1699\u20131749)Meal at the House of Simon the Pharisee, c. 1737 Oil on canvasMcMullen Museum of Art, Boston College, 1988.38 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History Pierre Subleyras left France in 1728 when he was awarded a prestigious Grand Prix by the Acad\u00e9mie Royale de&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4294 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/giovanni-battista-salvi-madonna-of-the-cherubs\/\" target=\"_self\" >Giovanni Battista Salvi Madonna of the Cherubs<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Giovanni Battista Salvi (Sassoferrato) (1609\u201385)Madonna of the Cherubs, c. 1650 Oil on canvasMcMullen Museum of Art, Boston College, 1988.72 Stephanie C. LeoneProfessor, Art History Framed by the cherubic messengers and the golden light of heaven, the Virgin Mary gracefully shifts her shoulders and lifts her head, eyes, and\u2014we sense\u2014mind to God. The rotation is stilled&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4286 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/emilian-school-holy-family-with-st-john\/\" target=\"_self\" >Emilian School Holy Family with St. John<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Unknown artist (Emilian school)Holy Family with St. John, mid- to late 16th century Oil on panelMcMullen Museum of Art, Boston College, 1988.60 Stephanie C. LeoneProfessor, Art History First documented in 1933 in Bapst Library at Boston College, this graceful yet sturdy Madonna presents her child with an air of knowing confidence while he sits upright,&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4152 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/gaetano-lapis-angel-of-the-annunciation\/\" target=\"_self\" >Gaetano Lapis Angel of the Annunciation<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Gaetano Lapis (1704\u201376)Angel of the Annunciation, c. 1730 Oil on canvasMcMullen Museum of Art, Boston College, 1988.28 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History The Archangel Gabriel raises his right hand in blessing and presents a lily, a symbol of Mary\u2019s purity, in his left. Clothed in&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4146 post type-post status-publish format-standard has-post-thumbnail hentry category-first-floor-corridor-north category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><figure style=\"aspect-ratio:auto;width:100px;height:100px;\" class=\"wp-block-post-featured-image\"><a href=\"https:\/\/sites.bc.edu\/museum\/marco-benefial-stoning-of-st-stephen\/\" target=\"_self\"  style=\"height:100px\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"615\" src=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Marco Benefial Stoning of St. Stephen\" style=\"width:100%;height:100%;object-fit:contain;\" srcset=\"https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial.jpg 1200w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial-300x154.jpg 300w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial-1024x525.jpg 1024w, https:\/\/sites.bc.edu\/museum\/wp-content\/uploads\/sites\/249\/2025\/03\/benefial-768x394.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/marco-benefial-stoning-of-st-stephen\/\" target=\"_self\" >Marco Benefial Stoning of St. Stephen<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Marco Benefial (1684\u20131764)Stoning of St. Stephen, c. 1730 Oil on canvasMcMullen Museum of Art, Boston College, 1988.29 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History The painting depicts the story of the first Christian martyr, Stephen (c. 5\u201334 CE), as told in the Acts of the Apostles 6:8\u20137:60.&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4141 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/fitz-henry-lane-sunset-after-a-storm\/\" target=\"_self\" >Fitz Henry Lane Sunset after a Storm<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Fitz Henry Lane (1804\u201365)Sunset after a Storm, 1858 Oil on canvasMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2021.19 Jeffery HoweProfessor Emeritus, Art History The \u201cstorm-tossed boat\u201d is one of the classic motifs of Romantic art, and was frequently depicted by artists such as Robert Salmon and J. M. W.&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4136 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/albert-bierstadt-near-the-south-pass-of-the-rocky-mountains\/\" target=\"_self\" >Albert Bierstadt Near the South Pass of the Rocky Mountains<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Albert Bierstadt (1830\u20131902)Near the South Pass of the Rocky Mountains, 1863 Oil on panelMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2022.45 Jeffery HoweProfessor Emeritus, Art History This idealized view of an unspoiled natural landscape, with a soft glow of the setting sun, beckons the viewer toward the Rocky Mountains&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4121 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/albert-bierstadt-owens-valley-california\/\" target=\"_self\" >Albert Bierstadt Owens Valley California<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Albert Bierstadt (1830\u20131902)Owens Valley, California, c. 1872 Oil on panelMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2022.44 Jeffery HoweProfessor Emeritus, Art History Bierstadt lived in California with a studio in San Francisco between 1871\u201373. He met the innovative photographer Eadweard Muybridge and traveled with him and the geologist Clarence&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4108 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/sanford-robinson-gifford-the-ruins-of-the-parthenon\/\" target=\"_self\" >Sanford Robinson Gifford The Ruins of the Parthenon<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Sanford Robinson Gifford (1823\u201380)The Ruins of the Parthenon, 1869\u201380 Oil on canvasMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2022.49 Jeffery HoweProfessor Emeritus, Art History Gifford specialized in landscape, first painting scenes of the Hudson River, the Adirondacks, and the mountains of Vermont. He traveled to Europe in 1855\u201357, when&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4102 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/martin-johnson-heade-two-green-breasted-hummingbirds\/\" target=\"_self\" >Martin Johnson Heade Two Green-Breasted Hummingbirds<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Martin Johnson Heade (1819\u20131904)Two Green-Breasted Hummingbirds, c. 1863\u201364 Oil on canvasMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2022.53 Oliver WunschAssistant Professor, Art History This painting is the only confirmed surviving study from&nbsp;The Gems of Brazil&nbsp;series, a group of twenty compositions that Heade planned to publish in a volume devoted&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4091 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/martin-johnson-heade-orchid-and-hummingbirds-near-a-mountain-lake\/\" target=\"_self\" >Martin Johnson Heade Orchid and Hummingbirds near a Mountain Lake<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Martin Johnson Heade (1819\u20131904)Orchid and Hummingbirds near a Mountain Lake, c. 1875\u201390 Oil on canvasMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2022.54 Oliver WunschAssistant Professor, Art History Inspired by Heade\u2019s travels in Brazil during the 1860s, this painting was equally shaped by the art market that he encountered upon&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4084 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/robert-salmon-view-of-boston-harbor\/\" target=\"_self\" >Robert Salmon View of Boston Harbor<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Robert Salmon (1775\u2013c. 1845)View of Boston Harbor, Ship Going Out, 1832 Oil on canvasMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2021.22 Jeffery HoweProfessor Emeritus, Art History Robert Salmon was one of the most prolific maritime artists of his time, painting nearly one thousand works. The richness of his light&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4075 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/frederick-childe-hassam-spring-flowering-trees\/\" target=\"_self\" >Frederick Childe Hassam Spring Flowering Trees<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Frederick Childe Hassam (1859\u20131935)Spring Flowering Trees, c. 1900 Oil on canvasMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2022.52 Nancy NetzerInaugural Robert L. and Judith T. Winston Director, McMullen Museum and Professor, Art History Trained in Boston, first as a wood engraver and then as a watercolor painter, by 1883&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4063 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/frederick-childe-hassam-water-hazard\/\" target=\"_self\" >Frederick Childe Hassam Water Hazard<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Frederick Childe Hassam (1859\u20131935)Water Hazard\u2014Maidstone Links, 1923 Oil on canvasMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2022.51 Oliver WunschAssistant Professor, Art History When Hassam made this painting, golf courses and country clubs were relatively new features of American life, constructed with Gilded Age fortunes and shaped by a nostalgia&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-4055 post type-post status-publish format-standard hentry category-uncategorized\">\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-not-stacked-on-mobile collection-post-list has-border-color is-layout-flex wp-container-core-columns-is-layout-8eafb21d wp-block-columns-is-layout-flex\" style=\"border-color:#f1f1f1;border-width:1px;margin-top:0px\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:105px\"><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:0px;flex-basis:74%\"><h5 style=\"padding-left:0px;\" class=\"William Stanley Haseltine wp-block-post-title\"><a href=\"https:\/\/sites.bc.edu\/museum\/jack-butler-yeats-farewell-to-mayo\/\" target=\"_self\" >Jack Butler Yeats Farewell to Mayo<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Jack Butler Yeats (1871\u20131957)Farewell to Mayo, 1929 Oil on paperMcMullen Museum of Art, Boston College, Carolyn A. and Peter S. Lynch Collection, 2021.23 Kevin LoteryAssistant Professor, Art History Though known primarily as a painter, Jack B. Yeats devoted large portions of his career to writing and illustrating. He got his start as a jobbing illustrator&hellip; <\/p><\/div><\/div>\n<\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to the mobile guide to selections of the McMullen Museum of Art\u2019s permanent collection on view on the first floor of 2101 Commonwealth. You may use the QR codes on each work\u2019s label to access its commentary, or you may select from the list below. This index is organized by room name and number. [&hellip;]<\/p>\n","protected":false},"author":121740,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"disabled","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"disabled","ast-hfb-mobile-header-display":"disabled","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2906","page","type-page","status-publish","hentry"],"acf":[],"featured_image_src":null,"_links":{"self":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages\/2906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/users\/121740"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/comments?post=2906"}],"version-history":[{"count":58,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages\/2906\/revisions"}],"predecessor-version":[{"id":4487,"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/pages\/2906\/revisions\/4487"}],"wp:attachment":[{"href":"https:\/\/sites.bc.edu\/museum\/wp-json\/wp\/v2\/media?parent=2906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}