Tag: USCO

2023Blog Post

BLOG POST: One Step Forward or One Step Back: Artificial Intelligence Increases Accessibility but Limits Copyright Protection for Artists with Disabilities*

*This writing is a blog post. It is not a published IPTF Journal article. Josephine Meier In 2018, artist Sean Aaberg suffered a debilitating stroke, severely affecting the left side of his body.[1] Prior to his stoke, Aaberg was a boardgame designer who found success drawing colorful, vivid images and spinning classic “fantasy tropes” into something more engaging and modern for players.[2] After his stroke, Aaberg found a way to continue his craft by turning to artificial intelligence software Midjourney for assistance in rendering the drawings he was no longer capable of making independently.[3] The Midjourney program allows users to...
2022Copyright

Choreographic Works in the Age of Social Media: The Issues and Implications of Copyrighting TikTok Dances

Patricia Garza Gonzalez Keara Wilson, the creator of the “Savage” dance on TikTok successfully registered her dance as a choreographic work with the U.S. Copyright Office, making it the first viral TikTok dance protected under the Copyright Act of 1976. She is one of numerous TikTok dance creators seeking copyright protection for their works as the social media platform has bolstered dance dissemination through dance challenges that encourage users to reproduce and post their versions of short routines. Nevertheless, under the current guidelines for choreographic work copyright, TikTok dances are not entitled to copyright protections because of their categorization as...